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EXHIBITION   
The Gallery, Swiss Cottage Central Library  26th November - 13th January 2001


 
 

The deceptive simplicity of water

by Helen Smithson

Reproducing the work of Yuko Moriyama would challenge any printer. She could fall into one of those modern black holes by virtue of her work not looking instant or flashy in a newspaper. I hope this doesn't impede her progress too much, though, because her debut exhibition at the Gallery of the Swiss Cottage Central Library is a promising one.
 
Water Spirits is a collection of drawings inspired by visits this summer to the ponds on Hampstead Heath as she works as the gallery's first artists in residence. It's actually quite hard to believe they are drawings, particularly when you consider that water is one of the most difficult things to describe in pencil or paint.
 
Yet in the clear, white space of the gallery, Moriyama's work look as though they have almost floated onto the walls, concealing the hours of patient toil it has obviously taken to make them.
 
The surface dimples, interlocking patterns and velvety layers of graphite draw you into the work, which has a strong meditative quality.
 
Pale blues, violets and the subtlest greens merge together to describe the shifting surface of the water. There is a silvery sheen from the layer upon layer of graphite. It's as if someone has thrown a silk sheet into the wind and recorded the shapes it makes. Yet there is also a calmness that almost verges on the sinister. They are somehow too perfect. You're almost waiting for an ominous fin to slowly cut the surface of the water.
 
Moriyama, based in Glenmore Road, Belsize Park, came to Britain form Japan in 1978, and has interrupted her work as an architect to pursue a fine art career.
 
"At the Architectural Association we were encouraged to do lots of drawing. The end product became a building but the process was very similar to fine art. I miss the possibilities of self-expression, though." she said, explaining her shift in career.
 
But why take water as a subject? "I am influenced by Buddhist culture, In many religions it is a spiritual symbol," she says.
 
Moriyama's work refuses to show off or to impress to us with an ephemeral flashiness. In the season where we are helplessly sucked into the excesses of consumerism, this can only soothe our sore heads and wallets.

Hampstead & Highgate Express
15 December 2000